If it looks like a tornado isn't moving, that means it's coming towards you

I so rarely dream. Especially when I'm exhausted from so much work, yet they are piling up.

The sense of foreboding told me it was a nightmare. My little sister had passed out in my arms, and then she called me on the phone from California a second later. I asked her to check the weather for me, I knew something was up. She laughed it off and I asked again, something was coming, I could feel it. I walked over to the window while I waited, and saw what it was. The length of Manhattan was a writhing mass of partial tornados, forming and unforming, at least four where solid, pulsing and spiraling through the cityscape. almost above the building I watched from, a cloud began to twist in on itself, and I knew I had moments, barely even minutes. Wrenching my siblings from their disparate activities in different rooms, I gathered the four of us into a closet in the center of the apartment. My older brother dragged his feet, annoyed at my intensity, but clamored in with us. This closet had no door, and my littlest brother, the tallest of us now was exposed in that opening to potential debris, traveling at hundreds of miles an hour, and my fear of his vulnerability to the impending storm brought me out of my dream state, my mouth dry, my lips cracked.

As I lay there awake, my body hummed in the night. I've felt this before, a vibrating in my sacrum, the sound of roaring waves in my ears, but this time the energy poured upwards from the soles of my feet. They were so active they felt hot, vibrating up through my pelvis and pooling in my thoracic spine. The energy splashed out along the muscular columns that framed the groove of my axis, fanned out in the space between my shoulder blades. I could clearly distinguish a conductive quality in the radiating of my sacral and solar plexuses, and there was a hint of a tingling response in the base of my skull. What reminded me of elementary particles pinged and ricocheted underneath my eyelids at rapid speed and I was out of breath and almost numb from the vibrating in my body. I didn't want to chase away these bizarre sensations, but I was so thirsty finally I rolled myself over and reached for the glass of water at the table by my bed as the waves of sensation slowly subsided.

In class earlier that day I had felt like one of those radical particles, or filled with them maybe. I bounced and pinged around the room until it was time to focus. We spent a portion of the lesson discussing Joints - the relationship between bones. In the roundnesses of our rotating parts I felt a familiar slippery freedom, a space of infinite possibilities, but was introduced to their containers for the first time - Sockets, the concavities that help give those possibilities a sense of direction, a vehicle for expressing that potency in the material plane. I learned that I am not just a million possible paths, but that I am my own vehicle, and those possibilities are there to be responsive to what I stumble across on the path I happen to be traveling down.

I have always had this system of checks and balances and I never knew it was there. I keep finding myself deeper and deeper in the labyrinth. The labyrinth is me. I am both the virgin and the minotaur, I now that much, but I do not know what will happen when they finally meet.





In English, the term labyrinth is generally synonymous with maze. As a result of the long history of unicursal representation of the mythological Labyrinth, however, many contemporary scholars and enthusiasts observe a distinction between the two. In this specialized usage maze refers to a complex branching multicursal puzzle with choices of path and direction, while a unicursal labyrinth has only a single path to the center.


Many [New World] Indians who make the labyrinth regard it as a sacred symbol, a beneficial ancestor, a deity. In this they may be preserving its original meaning: the ultimate ancestor, here evoked by two continuous lines joining its twelve primary joints.

Not a sentence, but a breath, a caesura.

 

 

'Was it a bittersweet goodbye?'
'Happy to see your brother but happy to have your space back before the next person?'

My friend sent me those texts as I sat on the bus after dropping my little brother and his friend off at the airport. Part of me was deeply offended that I could be so misunderstood, that someone would blow off something that lived its deep rich life inside of my blood, beating inside of my heart and flowing through my veins and his at the same time, in a sympathetic rhythm, more resonant than almost any connection I have in this lifetime. I thought about where that hurt came from, as I flipped back through the twinges in my heart, equal parts emotion and image anchoring them to physical sensations, concrete places that reside in various corners of my body.

A midnight phone call this last year, his voice heavy with tears. In his final year of college, his future bright and clear as dawn breaking and he had broken up with his girlfriend of four years. They had grown so much and so different from high school to then, and he knew it was time. I remember being like her, scared of the unfamiliar, clinging to a person to sustain me because I didn't know how to sustain myself. But he had someone to teach him how assessable the world was, he had me. I had no one when I was his age, so I felt for them both, in different ways. Unmooring himself to prepare for leaving our hometown, the womb of his university, the familial warmth of his childhood friends to be an advocate for his own future, something about leaving her sent him reaching out for me.

I know when it is time to be a mother. I know who he was calling for. Me and more than me, because our mother is unable to hear us or relate to us, lost in a world of her own construction that has no room for anyone else's needs. I saw what he couldn't, he has so embarrassed deep down, because he didn't want to be with her, but he didn't want her to be with anyone else. His childhood and his manhood lived inside of her memory, he had given all of it to her with time and circumstance, and I could feel his fear that those parts of himself might evaporate when she holds another man's hand. That they wouldn't mean anything anymore. That like a breadcrumb path in the woods, a rejection of his past might make it hard to find his way home. So he called me. Of course he called me.

Bittersweetness is the knowledge that I was receiving these midnight moments that belonged to someone else, that this rush of love and tenderness belongs to the person who birthed the voice on the other side of that phone. Bitter because I was doing someone else's job, Sweetness because of how much I loved doing it. Anger at the incompetence of our mother, coupled with the fierce Joy of knowing that unlike me, he had someone.

'How is your visit with your brother going?'
'How did it go?'

Another friend, another text asking me to qualify my experience with my baby brother in superficial terms. Both individuals I was texting with are people whom I share intimate, intellectual relationships with, whom would never want to hurt my feelings, yet seemed to have inadvertently thrown a punch that landed. I'm still out of breath from rereading that last text in particular. 'Good' is a stupid word that has no place in my experiential vocabulary. It isn't true or real, its a label, a box, a dead end.

That is the opposite of what this past week was for the both of us. His visit was a celebration of leaving the last bits of his childself behind, a specific rite of passage into his future. I knew he was coming to me, because I was Mother and Father, his degree in Construction Management may have something to do with my own career path, and he had no one else to talk to about learning how to use tools and gaining favor from the various trades working around him. To honor his passion I sent him a gift to help him build his first tool kit. My mother is trying to start a business doing reiki and tarot readings, feng shui and meditation, promising to help people find their 'authentic' selves. She has never been curious about who her own children are and what makes us our specific selves.

Years ago, when I tried to communicate to my grandmother what my mother is underneath the character she is playing, my mother got to her first, and no one will answer the phone when I call anymore. She tells them whatever she wants, and no one is curious to know me or about me in my own family. Like I have no childhood, like I was always an orphaned adult, I watched my past evaporate into artificial constructs my mother uses to support whatever her current character happens to be. My grandmother is telling everyone that I have an undiagnosed mental illness. But amidst all the yarn being spun, my younger siblings have managed to cling to my back as I escaped, thank god its so fucking strong. My best feature, really.

I knew he was coming for the mother part of me, but I didn't realize until the moment I saw him that he was coming to slay her.

After this previous summer working on his first construction site, he had developed a thickness in his chest and arms that will eventually become a barrel containing his beautifully articulate heart. There is a quickness of response and a depth in his awareness that tells me that my job here is mostly done. I am released from holding myself inside of an archetype that I have been forced to wear, and even though I have loved wearing it, my little brother came to set me free from my own real life fairy tale. To meet the person behind the Mother.

He is like pure sunshine, he could have stayed with me forever if he wanted. But I am not sad that he left, because I am something different now, because I was sending him out to be in his clear, bright future, and thankfully, neither of us are afraid of this dawn.

I guess it was a good visit.

a seated figure with a sword in her hand,

 

 

The other day I received a text from the mother I haven't spoken to in almost 4 years. Usually I'll receive something whiny or conniving from her, trying to figure out what would be most effective in inciting a response from me.

I opened the text, and it was simply a photo of a man sized purple rooster sculpture.

I had no clue why she would have sent that, maybe she was trying a new tactic, maybe she had lost her last marble. It wasn't until I was describing it to my little sister over the phone that its meaning finally struck me.

Purple Chicken.

Years ago, my mother would load up my younger siblings into the car and prepare for a road trip to different Podunk towns to go visit my step father in one of the many penitentiaries across the state of Florida. As a repeat offender, he ended up in places we would never have traversed the flat ribbon of road and scrub brush to stay in for a few nights, for a few hours of visitor time on each day of the weekend. I went to watch over them, my only family. I stayed awake as we drove in the endless darkness of night, a large worn atlas in my lap, my younger siblings (his children) asleep in the back of our massive 78'chevy nova, the one with 8 cylinders and no speedometer. It was practically a boat. My little brother and sister fought like cats when they were awake, all claws and teeth and slaps and screeches, but in the back seat together, the always slept shoulder to shoulder, head leaning on head, looking so similar they might have been twins.

The freckles on my little sister's sleeping face will be forever merged in my mind's eye with the stars in the huge, indigo, bowl shaped sky that we drove under, dwarfing us against the landscape. Delilah kept us company on the radio, listening as people called in to ask for a song, and to tell her their lovelorn stories. I learned so much about sadness and longing and the pain involved in loving someone, on those midnight drives, and about these individuals living their entire lives in little spread out towns with less than 500 people and only one church to gather in, that loneliness can seem as vast as that sky at midnight sometimes. How perspective and priorities can be engulfing or freeing, depending on the context.

We began to notice, my mother and I, that almost every gas station we stopped at had large photos advertising a fried chicken bar inside. The Florida sunshine had bleached away the yellow shades needed to make brown tones, and had left washes of blue and pink that pooled into dark purple in the crevasses of the fried skin of the pile of drumsticks. Once when she came back out from paying for gas, her nose wrinkled, she told me that the photos weren't lying about the color of the chicken in that particular establishment. It became a joke, asking if anyone wanted any purple chicken before we ran inside to pay, even years later on other kinds of road trips.

Its a tangy sour memory she brought up with her text. Its impossible not to feel a sharp twinge of almost nostalgia, for childhood where we laughed so we didn't have to feel the horror of living our specific reality. Impossible to ignore the intimacy of that shared experience, something that no one but the two of us could really fathom in its fullness. What I find unfathomable is that she probably cannot conceive of the images it calls out of my body even now: of my then-newly ripe, pubescent body, terrifying in its stark sexual suggestiveness that seemed impossible to hide in the baggy clothes I draped myself in, being offered up to this adult world I wanted no part of. Shaking my bra out for the guards, rarely women, before we could pass into the room full of inmates and their visiting loved ones. The stepfather I hated, openly talking about my budding body, how large my breasts were getting - to my mother, who giggled inanely, unwilling to make the boundaries I could not, unwilling to protect me in any way. Right in front of my young siblings, embedding god knows what into the brain of my baby sister, about her body and its boundaries. Feeling naked in that prison visiting room, undressed by the words and eyes of the one person I hated most in the world with no one to defend me, while he stuffed himself with Hot Pockets from the vending machines, since the prison food was so bland.

Since I had to construct my own shield, without parents to protect me, I am finally starting to see how the truth of my upbringing bubbles up and chokes me as I wade through deep and thorough intellectual territories. As a creature living in between worlds, my inheritance is unclear, everywhere I go I feel like a little bit of an imposter. I can't tell what character I am in my own story, so I don't know what my boundaries and freedoms are composed of - that my background will invalidate me in a room full of thinkers and theorists, realities of a brutal animal existence that dispels the beauty and symmetry of so many ideas; that I can't possibly be as experienced as I am in the labor world because I am white, college educated and female, everything I have must be from my privilege made manifest, rather than the blood and sweat and tears and rage and hunger of my human body.

What is my domain, my territory, my home? How can I be defined by the sad, gross, backwater world I was raised in? And how does denying relationship with so much of myself hinder my relationships with others? How has this shield become a wall, this shield that has defined me for so long, who will I be without it, but that voiceless, pubescent girl, naked in a room full of strangers?